Quijada began writing spoken word poetry at a young age, later leading to public performances at poetry slams in Chicago and eventually frequenting the nationally reknowned Nuyorican Poet's Cafe in NYC.
His desire to see more Latinx stories like his own being told on stage and to offer more minority storytellers a platform led him to begin writing plays. Brian's writing is influenced heavily by his upbringing, his immigrant parents, and his continued search for identity. His work is infused with the sounds of his childhood: Latin rhythms, hip hop, R&B, and 70's and 80's rock. A self-taught playwright, Brian's plays use non-traditional conventions like live-looped music, digital finger drumming, spoken word, clowning, and turntablism, alongside traditional forms to drive his narratives.
Quijada has been a writer-in-residence at The Kennedy Center and The Eugene O'Neill Theatre Center.
Brian's first play WHERE DID WE SIT ON THE BUS? won Outstanding Solo Performance and Sound Design at The Chicago Jeff Awards in 2016 and earned him two Drama Desk nominations in the same categories for its Off-Broadway debut.
His second play KID PRINCE AND PABLO was a semi-finalist for The National Playwright's Conference at The Eugene O'Neill Theater Center.
His desire to see more Latinx stories like his own being told on stage and to offer more minority storytellers a platform led him to begin writing plays. Brian's writing is influenced heavily by his upbringing, his immigrant parents, and his continued search for identity. His work is infused with the sounds of his childhood: Latin rhythms, hip hop, R&B, and 70's and 80's rock. A self-taught playwright, Brian's plays use non-traditional conventions like live-looped music, digital finger drumming, spoken word, clowning, and turntablism, alongside traditional forms to drive his narratives.
Quijada has been a writer-in-residence at The Kennedy Center and The Eugene O'Neill Theatre Center.
Brian's first play WHERE DID WE SIT ON THE BUS? won Outstanding Solo Performance and Sound Design at The Chicago Jeff Awards in 2016 and earned him two Drama Desk nominations in the same categories for its Off-Broadway debut.
His second play KID PRINCE AND PABLO was a semi-finalist for The National Playwright's Conference at The Eugene O'Neill Theater Center.
BRIAN QUIJADA'S PLAYS
Where Did We Sit on the bus?During a third grade lesson on the Civil Rights movement and Rosa Parks, a Latino boy raises his hand to ask "where did we sit on the bus?" and his teacher can't answer the question. Told through rap, hip-hop, spoken word and live looping, Brian Quijada's autobiographical Where Did We Sit on the Bus? is an electric one-man show that examines what it means to be Latino in America.
*Jeff Award Winner for Sound Design and Solo Performance **Drama Desk Nominee for Sound Design and Solo Performance Past Productions: Teatro Vista in association with Victory Gardens (World Premiere), Ensemble Studio Theatre, Boise Contemporary Theatre, Victory Gardens, 1st Stage's Logan Festival Upcoming Productions: City Theatre in Pittsburgh January 2019 |
Kid prince and pabloBased off Mark Twain's The Prince and The Pauper, Kid Prince and Pablo reimagines the classic tale of mistaken identity with a Digital Age, Hip Hop-Infused twist, to examine race, class, the wealth divide, and what it means to walk in someone else's shoes in our America.
Development: Vassar and New York Stage & Film's POWERHOUSE Festival (Dir. Pirronne Yousefzadeh) Ars Nova's Ant Festival (Dir. Matt Dickson) Texas Tech WildWind Performance Lab (Dir. Michael Legg) 
Til The DJ Quits PLayingMissing Bolts Productions (Blair Baker & Zac Kline, artistic directors) and NoPassport Theatre Alliance and Press (OBIE-winner Caridad Svich, founder) curated a collection of new plays from noted international playwrights in response the shooting at Pulse Nightclub, June 12, 2016.
The plays were presented across the US and abroad with collaborating venues in Los Angeles, Denver, Philadelphia, Detroit, and more. |
StripStraight-laced college student Fidel admires his new roommate Martin, an easy-going philosophy major. When the charismatic Martin persuades Fidel to question the existence of God, he inadvertently teaches him how to make more apostates, including Fidel's new girlfriend Sandra. Told with humor and heart, STRIP explores respecting the boundaries of faith and the unintended consequences of searching for what you believe.
Development: Texas Tech WildWind Performance Lab (Dir. Michael Legg) |